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Audio signal flow is the path an audio signal takes from source to output. [1] The concept of audio signal flow is closely related to the concept of audio gain staging; each component in the signal flow can be thought of as a gain stage. In typical home stereo systems, the signal flow is usually short and simple, with only a few components.
Signal flow is the path an audio signal will take from source to the speaker or recording device. Signal flow may be short and simple as in a home audio system or long and convoluted in a recording studio and larger sound reinforcement system as the signal may pass through many sections of a large mixing console, external audio equipment, and even different rooms.
Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Generally, line level signals sit in the middle of the hierarchy of signal levels in audio engineering.
In audio engineering, a bus [1] (alternate spelling buss, plural busses) is a signal path that can be used to combine (sum) individual audio signal paths together.It is typically used to group several individual audio tracks which can be then manipulated, as a group, like another track.
An analog audio signal is a continuous signal represented by an electrical voltage or current that is analogous to the sound waves in the air. Analog signal processing then involves physically altering the continuous signal by changing the voltage or current or charge via electrical circuits.
A small number of audio products have been designed with an entirely balanced signal path from input to output; the circuitry maintains its impedance balance throughout the device. This design is achieved by providing identical (mirrored) internal signal paths for both the "hot" and "cold" conductors.
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A feedback suppressor detects unwanted audio feedback and suppresses it, typically by automatically inserting a notch filter into the signal path of the system. Audio feedback can create unwanted loud, screaming noises that are disruptive to the performance, and can damage speakers and performers' and audience members' ears.