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From the 15th century in the Netherlands onwards, it was more usual to show the non-Biblical subject of the Holy Family resting on the journey, the Rest on the Flight to Egypt, often accompanied by angels, and in earlier images sometimes an older boy who may represent, James the Brother of the Lord, interpreted as a son of Joseph, by a previous ...
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
Franciscan Crown Rosary. The Franciscan Crown (or Seraphic Rosary) is a rosary consisting of seven decades in commemoration of the Seven Joys of the Virgin, namely, the Annunciation, the Visitation, the Nativity of Jesus, the Adoration of the Magi, the Finding in the Temple, the Resurrection of Jesus, and finally, either or both the Assumption of Mary and the Coronation of the Virgin.
By the 17th century, the 15 wood cut images of the picture rosary had become very popular and rosary books began to use them across Europe. In contrast to written rosary meditations, the picture texts changed little and the same set of images appeared in woodcuts, engravings, and devotional panels for over a hundred and fifty years. [8]
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
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The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending like a dove on Jesus at his baptism. [5] In many paintings of the Annunciation, the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Christ's coming to Mary.