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Rough turning is an inexact science: turning wood too thick will lead to splits, and turning wood too thin will lead to distortion that cannot be removed because not enough thickness is left. Once dry, it is mounted on the lathe a second time and turned to its final form. Rough turning is typically used on most functional work and some art pieces.
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
Example of bowl turning. This is a list of woodturners - notable people who are known for their woodturning by means of using a pole lathe or a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
"An indescribable surface that begs for a caress of the hand--that's what I think wood should provide." [ 3 ] Raffan is known for using native Australian woods, for the architectural influences in his turned objects, and for his groupings of related objects into sets (e.g. his "Citadel" and "Tower" series of boxes, etc.)
Bob Stocksdale (1913 – January 6, 2003) [1] [2] was an American woodturner, known for his bowls formed from rare and exotic woods. He was raised on his family farm [ 2 ] and enjoyed working with tools.
Segmented turning, also known as polychromatic turning, is a form of woodturning on a lathe where the initial workpiece is composed of multiple parts glued together. The process involves gluing several pieces of wood to create patterns and visual effects in turned projects.