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In bowl turning, the grain runs at right angles to the axis, as if a plank were mounted across the chuck. When a bowl blank rotates, the angle that the grain makes with the cutting tool continually changes between the easy cuts to two places per rotation where the tool is cutting across the grain and even upwards across it.
In addition to design skills, segmented turning demands precision woodworking skills as well as turning skills. Design and construction of a bowl blank—the wood piece mounted on the lathe for turning a vessel—requires angled miter joints cut to tolerances of as little as a tenth of one degree or better.
Example of bowl turning. This is a list of woodturners - notable people who are known for their woodturning by means of using a pole lathe or a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
Once logs arrive at the Great Alaskan Bowl Co., they go through a 22-step process of carving, sanding and oiling to become wooden bowls, says cutter and sander Klaus Reeck.
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
"An indescribable surface that begs for a caress of the hand--that's what I think wood should provide." [ 3 ] Raffan is known for using native Australian woods, for the architectural influences in his turned objects, and for his groupings of related objects into sets (e.g. his "Citadel" and "Tower" series of boxes, etc.)