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Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
Concerto in G minor for Flute (La Notte), RV 439 (Op. 10, No. 2) Concerto in D major for Flute (Il Gardellino), RV 428 (Op. 10 No. 3) Concerto in G major for Flute, RV 435 (Op. 10, No. 4) Concerto in F major for Flute, RV 434 (Op. 10, No. 5) Concerto in G major for Flute, RV 437 (Op. 10, No. 6) Concerto in A minor for Flute, RV 440; Concerto in ...
An alleged "Opus 13", Il pastor fido (The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name.
La tempesta di mare ("The Storm at Sea"), a flute concerto in F major (RV 433; P. 261), is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from which ...
The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart.. Commissioned by the Dutch surgeon and amateur flutist Ferdinand Dejean [Wikidata] (1731–1797) in 1777, Mozart was supposed to provide four flute quartets and three flute concertos, yet he only completed two of the three concertos, this one being the first. [1]
The Complete Works of the Great Flutist is a collection of reissued and remastered recordings of performances by French flutist Marcel Moyse.The notes in the Muramastu Japanese site that markets the five CD box set only has English titles for the tracks, and has a number of mistakes regarding the playing order.
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The 11-minute Allegro moderato first movement varies between D minor, E-flat minor and F major. Solo passages, dialogues between solo flute and orchestra, and a clarinet and bassoon conversation characterize the music. After an unexpected bass trombone disruption, the flute comes to the fore with a cantabile theme in E major. An orchestral ...