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Lusekofte cardigan. Detail of lusekofte pattern. The lusekofte (Norwegian: [ˈlʉ̀ːsəˌkɔftə], lice jacket), also called the Setesdalsgenser (Setesdal sweater) is a traditional Norwegian sweater, dating from the 19th century. The original sweater features a black and white design, the name referring to the isolated black stitches. [1]
Many of their sweater patterns most closely associated with knitted ski sweaters have been published in English by the manufacturing company. The heritage of Norwegian knitting has been preserved, documented and translated into English language history, and pattern books, that are available to modern knitters, mostly notably by the author ...
Bunad is a Norwegian umbrella term encompassing a range of both traditional rural clothes mostly dating to the 19th and 18th centuries as well as 20th-century folk costumes. In its narrow sense, the word bunad refers only to clothes designed in the early 20th century that are loosely based on traditional costumes.
In Norwegian knitting, a selburose (Norwegian: [ˈsæ̀ɽbʉˌɾuːsə]) is a knitted rose pattern in the shape of a regular octagram. It is traditionally used for winter clothing such as the Selbu mitten ( selbuvott ) and sweaters ( lusekofte , lopapeysa and mariusgenser ).
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
While commercially available sweaters are machine knit, the final finishing of these machine-knit parts is completed by hand. [ 4 ] Mary Wright argues that the use and wearing of guernseys throughout the British Isles for over a century and a half almost justifies the guernsey for qualification as a national costume. [ 5 ]
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