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The Story of Film: An Odyssey is a 2011 British documentary film about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins , a film critic from Northern Ireland , based on his 2004 book The Story of Film .
From Caligari to Hitler melds his understanding of trends in the film market with analysis of political tendencies of German social politics. Kracauer proposes that Robert Wiene's film The Cabinet of Dr. Caligari is an allegory for German social attitudes. Kracauer argued that Caligari symbolizes autocratic tendencies inherent in the German ...
Taphophobia (from Greek τάφος – taphos, "grave, tomb" [1] and φόβος – phobos, "fear" [2]) is an abnormal (psychopathological) phobia of being buried alive as a result of being incorrectly pronounced dead. [3] Before the era of modern medicine, the fear was not entirely irrational.
Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion, the Witch ...
Kristin Thompson (born 1950) is an American film theorist and author whose research interests include the close formal analysis of films, the history of film styles, and "quality television," a genre akin to art film. She wrote two scholarly books in the 1980s which used an analytical technique called neoformalism.
The film simultaneously becomes both a story about History and an integral part of it, in the sense that its editing, its storyboard, its aesthetics are all a pure product of the revolutionary system, both in the sense of putting the revolution on display and in the exalted manner of that display.
Roger Ebert gave the film a four out of four rating and stated: How strange, a movie where a bad man becomes better, instead of the other way around. Tsotsi, a film of deep emotional power, considers a young killer whose cold eyes show no emotion, who kills unthinkingly, and who is transformed by the helplessness of a baby. He didn't mean to ...
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on 32 reviews, with an average rating of 8.8/10. The website's critical consensus reads: "Horror Noire: A History of Black Horror more than lives up to its title, offering a smart and entertaining overview of American film history through an overlooked ...