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The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh, painted in June 1889.It depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.
Erickson suggests that the painting is influenced by the Christian allegory The Pilgrim's Progress, visible in the prominent road and cypress tree. [4] The painting is one of several in which van Gogh uses cypresses prominently, and — as in Road with Cypress and Star — many of the paintings depict trees that extend beyond the top of the ...
The night sky and the effects of light at night provided the subject for some of van Gogh's more famous paintings, including Café Terrace at Night (painted earlier the same month) and the June, 1889, canvas from Saint-Remy, The Starry Night. A sketch of the painting is included in a letter van Gogh sent to his friend Eugène Boch on 2 October ...
Van Gogh's drawing of 87 Hackford Road. In July 1869, Van Gogh's uncle, “Cent” Van Gogh, helped him obtain a position with the art dealer Goupil & Cie in The Hague.After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton, [1] and worked at Messrs. Goupil & Co., 17 Southampton Street. [2]
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Sunflowers (original title, in French: Tournesols) is the title of two series of still life paintings by the Dutch painter Vincent van Gogh.The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase.
After he made most of the still life paintings, Van Gogh left the city in April 1887 for the tranquil Parisian suburb called Asnières [66] and to paint with his friends and Asnières residents Paul Signac and Émile Bernard. [67] Asnières is located beyond the city fortifications, along the banks of the Seine and the island of Grand Jatte.
Nowhere in the Auvers painting did van Gogh directly depict the sun. [45] Van Der Veen and Knapp note that there is a figure under the back pear tree, barely delineated in a few strokes. They describe the painting as a masterpiece of subtlety and form by a painter at the peak of his powers.