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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
The person who brought realism in Hindi prose literature was Munshi Premchand, who is considered the most revered figure in the world of Hindi fiction and progressive movement. Literary, or Sāhityik , Hindi was popularised by the writings of Swami Dayananda Saraswati , Bhartendu Harishchandra and others.
Bharatendu Harishchandra (9 September 1850 – 6 January 1885) was an Indian poet, writer, and playwright.He authored several dramas, biographical sketches, and travel accounts with the goal of influencing public opinion.
Sumitranandan Pant (20 May 1900 – 28 December 1977) [1] was an Indian poet. He was one of the most celebrated 20th century poets of the Hindi language and was known for romanticism in his poems which were inspired by nature, people and beauty within.
Suryakant Tripathi (21 February 1899 – 15 October 1961) was an Indian poet, writer, composer, and sketch artist who wrote in Hindi. He is considered one of the four major pillars [a] of the Chhayavad period in Hindi literature. He is renowned with the epithet Mahāprāṇ [b] and his pen name Nirālā [c]. [1]
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.