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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Suryakant Tripathi (21 February 1899 – 15 October 1961) was an Indian poet, writer, composer, and sketch artist who wrote in Hindi. He is considered one of the four major pillars [a] of the Chhayavad period in Hindi literature. He is renowned with the epithet Mahāprāṇ [b] and his pen name Nirālā [c]. [1]
It is "not an individual subject of consciousness," [240] but the same in each person and identical to the universal eternal Brahman, [76] a term used interchangeably with Atman. [ 248 ] Atman is often translated as soul , [ note 41 ] though the two concepts differ significantly, since "soul" includes mental activities, whereas "Atman" solely ...
Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
Maitreyi explores the Hindu concept of Atman (soul or self) in a dialogue contained in the Brihadaranyaka Upanishad.The dialogue, also called the Maitreyi-Yajnavalkya dialogue, states that love is driven by a person's soul, and it discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy.
' In memorium Saroj ') is a long elegiacal poem in Hindi written by Suryakant Tripathi 'Nirala'. He composed this following the death of his 18-year-old daughter, Saroj, in 1935. Its first publication occurred in the second edition of Anāmikā in 1937. This poem is considered one of the finest elegies in Hindi literature. [1]
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Describing the state of Hindi-Urdu under British rule in colonial India, Professor Sekhar Bandyopadhyay stated that "Truly speaking, Hindi and Urdu, spoken by a great majority of people in north India, were the same language written in two scripts; Hindi was written in Devanagari script and therefore had a greater sprinkling of Sanskrit words ...