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  2. Ashtamangala - Wikipedia

    en.wikipedia.org/wiki/Ashtamangala

    Ashtamangala: first row (left to right): parasol, pair of golden fish, conch; second row: treasure vase, lotus; Last row: infinite knot, victory banner and wheel. The Ashtamangala ( Sanskrit : अष्टमङ्गल , romanized : Aṣṭamaṅgala ) is the sacred set of Eight Auspicious Signs ( Chinese : 八吉祥 , bajixiang ) featured in ...

  3. Jain symbols - Wikipedia

    en.wikipedia.org/wiki/Jain_symbols

    Adinath image with Ashtamangala, according to Digambara tradition Ashtamangala, according to Svetambara tradition, on Jain manuscript cover, LACMA (from left) : Swastika, Vardhmanaka, Pair of fish, Kalasha, Bhadrasana, Srivatsa, Nandavarta, Darpan . The Ashtamangala are a set of eight auspicious symbols. [9]

  4. Nandavarta - Wikipedia

    en.wikipedia.org/wiki/Nandavarta

    The Nandavarta or Nandyavarta is one of the eight auspicious symbols of Jainism for the Śvetāmbara sect. [1] It is an ashtamangala which is used for worship, and could be made with rice grains. [2] It is also the symbol of 18th tirthankara Aranatha according to Śvetāmbara tradition and 7th tirthankara Suparshvanatha according to the ...

  5. File:Ashtamangala Lotus.svg - Wikipedia

    en.wikipedia.org/wiki/File:Ashtamangala_Lotus.svg

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  6. Namokar Mantra - Wikipedia

    en.wikipedia.org/wiki/Namokar_Mantra

    According to Dravyasaṃgraha, a major Jain text: Meditate on, recite or chant the sacred mantras, consisting of thirty-five, sixteen, six, five, four, two and one letter(s), pronouncing the virtues of the five supreme beings ( Pañca-Parameṣṭhi ).

  7. Category:Jain symbols - Wikipedia

    en.wikipedia.org/wiki/Category:Jain_symbols

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  8. Siddhachakra - Wikipedia

    en.wikipedia.org/wiki/Siddhachakra

    They met a Jain monk, Munichandra, who advised them to do a ritual named Ayambil Oli which is dedicated to the central Navpada in Siddhachakra. It cured Shripal's leprosy along with that of 700 other lepers.

  9. Kalpavriksha - Wikipedia

    en.wikipedia.org/wiki/Kalpavriksha

    The female figure is painted from mast upwards holding a bowl in her hand. Similar depiction of female figure with tree representing it as presiding deity was a notable feature during the Sunga period as seen in the image of "Salabhanvka" in the railing pillars. [26] In most paintings of Kalpavriksha Shiva and Parvati are a common feature.