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The Marriage of Mademoiselle Beulemans (1927 film) Max Takes Tonics; Meeting in Paris; The Merry Widow (2007 film) MILF (2018 film) Mimi Pinson (1958 film) Minne (film) Mon Oncle; Mon pote le gitan; Monsieur (1990 film) Monsieur Leguignon, Signalman; Monsieur Octave; Monsieur, Madame and Bibi; Mother Schmuckers; My Aunt from Honfleur (1931 film)
Les Visiteurs (French pronunciation: [le vizitœʁ]; English: The Visitors) is a French fantasy comedy film directed by Jean-Marie Poiré and released in 1993. In the film, a 12th-century knight and his squire travel in time to the end of the 20th century and find themselves adrift in modern society.
La Chèvre (English title: Knock on Wood, literal translation: The She-goat) is a 1981 buddy cop comedy film written and directed by Francis Veber, starring Pierre Richard and Gérard Depardieu. It is the first of three films featuring Richard and Depardieu as a comic duo. It’s an international co-production film between France and Mexico.
Comedy: French-Italian co-production [14] La Légion saute sur Kolwezi: Raoul Coutard: Bruno Creةer,ة Mimsy Farmer, Giuliano Gemma: Adventure [15] [16] The Last Metro: François Truffaut: Catherine Deneuve, Gérard Depardieu, Jean Poiret: Drama [17] Le Guignolo: Georges Lautner: Jean-Paul Belmondo, Michel Galabru, Georges Géret: Comedy ...
The Players (French: Les Infidèles, lit. 'The Unfaithful Ones') is a 2012 French sex comedy anthology film starring Jean Dujardin and Gilles Lellouche, with each of them also directing and writing a segment.
French comedy films are comedy films produced in France. Comedy is the most popular French genre in cinema. [1] Comic films began in significant numbers during the era of silent films, roughly 1895 to 1930. The visual humour of many of these silent films relied on slapstick and burlesque.
French comedy films; 0–9. 9 Month Stretch; Les 11 commandements; 15 ans et demi; 18 Years Old and Rising; 48 Hours a Day; 100% Arabica (film) 600,000 Francs a Month ...
A brief mention of a Francine Weber is a clear tip of the chapeau to French filmmaker Francis Veber (“Le Dîner de Cons,” “The Toy”). Both are beloved French farces, whereas Dupontel’s film, which doesn’t lack for ambition, only focus, fails to live up to the Veber touch or to the dystopian sci-fi classic that has served as its ...