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The Beatles completed the five-month sessions for their self-titled double album (also known as the "White Album") in mid-October 1968. [5] While the sessions had revealed deep divisions within the group for the first time, leading to Ringo Starr quitting for three weeks, the band enjoyed the opportunity to re-engage with ensemble playing, as a departure from the psychedelic experimentation ...
[9] [a] The credit was bestowed by the Beatles to reflect the extent of Preston's presence on the track; his electric piano is prominent throughout and he plays an extended solo. Preston also worked, in a more limited role, on the 1969 Abbey Road album, contributing organ to the tracks " I Want You (She's So Heavy) " and " Something ".
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney , and credited to the Lennon–McCartney partnership.
"You Know My Name (Look Up the Number)" was the last Beatles song from the group's official canon to be included on an album, issued on an LP for the first time on Rarities (which had been included as a bonus disc in the British and American boxed set, The Beatles Collection in 1978, and released separately as an album in the United Kingdom in ...
"For You Blue" is a song by the English rock band the Beatles from their 1970 album Let It Be. The track was written by George Harrison as a love song to his wife, Pattie Boyd . It was also the B-side to the " Long and Winding Road " single, issued in many countries, but not Britain, and was listed with that song when the single topped the US ...
They recorded two new Beatles songs built around solo vocal and piano tapes recorded by Lennon and gave lengthy interviews about the Beatles' career. [196] Released in December 1995, "Free as a Bird" was the first new Beatles single since 1970. [197] In March 1996, they released a second single, "Real Love".
George Harrison wrote "I Me Mine" on 7 January 1969, during the second week of the Beatles' filmed rehearsals at Twickenham Film Studios in west London. [2] The film project – which became known as Get Back and eventually Let It Be [3] [4] – formed part of the Beatles' proposed return to live performance for the first time since 1966. [5]
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...