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The book describes a near-death experience Alexander had while suffering from what should have been a fatal case of acute, gram-negative Escherichia coli bacterial meningitis, while on a ventilator and in a near death coma for one full week, with death eminently predicted by his medical experts - Alexander describes how the experience changed ...
This poem is similar to Howl (1955) in that it has the same structure. Each line is quite long, and Ginsberg has said these long lines are meant to be read in a single breath. In this and many of Ginsberg’s poems, there is a sense of urgency and hyperactivity. It is as if the poem is just a collection of his memories spilled onto the page.
Accustom yourself to believing that death is nothing to us, for good and evil imply the capacity for sensation, and death is the privation of all sentience; therefore, a correct understanding that death is nothing to us makes the mortality of life enjoyable, not by adding to life a limitless time, but by taking away the yearning after immortality.
The belief in the rebirth after death became the driving force behind funeral practices; for them, death was a temporary interruption rather than complete cessation of life. Eternal life could be ensured by means like piety to the gods, preservation of the physical form through mummification , and the provision of statuary and other funerary ...
Bicameral mentality is a hypothesis introduced by Julian Jaynes who argued human ancestors as late as the ancient Greeks did not consider emotions and desires as stemming from their own minds but as the consequences of actions of gods external to themselves.
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
If death is not only a stoppage of the heart but a flatlining of brain waves, it's hard to explain how people who flatlined on the operating table can revive and describe to the doctors what they ...
Ginsberg began writing the poem in the Beat Hotel in Paris in December 1957, completing it in New York in 1959. It was the lead poem in the collection Kaddish and Other Poems (1961). [ 1 ] It is considered one of Ginsberg's finest poems, with some scholars holding that it is his best.