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A wayang kulit performance accompanied by a gamelan orchestra, between 1862 and 1872. Wayang is the traditional puppet theatre of Indonesia. [6] [7] [8] It is an ancient form of storytelling known for its elaborate puppets and complex musical styles. [9]
UNESCO designated wayang – the flat leather shadow puppet (wayang kulit), the flat wooden puppet (wayang klitik), and the three-dimensional wooden puppet (wayang golek) theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity on 7 November 2003. In return for the acknowledgment, UNESCO required Indonesians to preserve the ...
Wayang style is a style of puppetry influenced by the Indonesian wayang kulit, in which human figures and those that are supernatural are depicted as flat and very two-dimensional - hence the name wayang, meaning "shadow" [1]). This style was commonly used in East Java during the Majapahit Empire, which lasted from about 1293 AD to around 1500 AD.
Cepot, as a wayang golek puppet. Cepot or Astrajingga [1] is one of the wayang golek characters in Sundanese puppetry. Cepot is a punokawan alongside Dawala and Garéng, which do not exist in the original Mahabharata or Ramayana. Cepot is one of Semar's sons. [1]
A nang drama player and puppet. Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama ...
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
The wayang kulit performance by the Indonesian notable dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, to commemorate the anniversary of the Kompas daily. The dhalang or dalang (Javanese: ꦝꦭꦁ, romanized: dhalang; [1] Indonesian: dalang) is the puppeteer in an Indonesian wayang ...
In wayang performances the dhalang generally provides a "warrior's voice" for Petruk, as opposed to the nasal voice used for his brothers. [1] He is married to Dewi Ambarawati, [4] whom he won the right to marry after defeating four other suitors in a vicious battle. Together they have a son, Lengkungkusuma. [4]