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Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.
The drum beat is a core element of hip hop production. While some beats are sampled, others are created by drum machines. The most widely used drum machine is the analog Roland TR-808, which has remained a mainstay for decades. [7] Digital samplers, such as the E-mu SP-12 and SP-1200, and the Akai MPC series, have also been used to sample drum ...
Bass drum Muffling the bass can be achieved with the same muffling techniques as for the snare, but bass drums in a drum kit are more commonly muffled by adding pillows, a sleeping bag, or other soft filling inside the drum, between the heads. Cutting a small hole in the resonant head can also produce a more muffled tone, and allows the ...
Return of the Boom Bap is the debut solo studio album by American rapper KRS-One, released on September 28, 1993, by Jive Records. The recording sessions took place at D&D Studios and at Battery Studios, in New York. The album was produced by DJ Premier, Kid Capri, Norty Cotto, Showbiz, and KRS-One. It features guest appearances from Ill Will ...
On his first solo album, 1993's Return of the Boom Bap, he worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the track "Sound of da Police". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia", a song in which they criticize civil rights activist C. Delores Tucker among others.
Boom Bap Project is an American Northwest hip hop group from Portland, Oregon. [1] It consists of DJ Scene from MADK and 206Zulu tribe, along with Karim and Destro, the latter of whom [ 2 ] are also part of the Oldominion collective.
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