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The Infatuation (formerly known as Immaculate Infatuation) is an American New York–based restaurant recommendation website and messaging service, created by former music industry executives Chris Stang and Andrew Steinthal in 2009. They are most known for publishing restaurant reviews and guides, and as creators of the hashtag #EEEEEATS. [1]
The Times ' s longest-running podcast is The Book Review Podcast, [295] debuting as Inside The New York Times Book Review in April 2006. [296] The New York Times ' s defining podcast is The Daily, [294] a daily news podcast hosted by Michael Barbaro and, since March 2022, Sabrina Tavernise. [297] The podcast debuted on February 1, 2017. [298]
In May 1994, Stone joined music executive Clive Davis at Arista Records. [5] Stone worked with artists such as Notorious B.I.G., [6] Usher Raymond, Sean "Puffy" Combs, Outkast and Faith Evans. [7] In 1999, Stone co-founded The Fader with Jon Cohen. The magazine was dubbed by The New York Times as "the new music-and-fashion bible". [8]
Especially in New York, the music industry has felt the impact of the pandemic more than many businesses — particularly live entertainment. But like the city that might be sleeping a little bit ...
Ethiopia Habtemariam Chairman and CEO, Motown Records Habtemariam’s promotion to the top job at the storied label in March 2021 was a long-deserved acknowledgment of her impact on hip-hop and R&B
Clive Davis’ name is a synonym for the ultimate record man. In terms of success, influence, longevity, and the artists and executives he has mentored, he has no peer and probably never will. To ...
In late May 2017, The New York Times announced that it was eliminating the post. Arthur Ochs Sulzberger Jr. announced: "The public editor position, created in the aftermath of a grave journalistic scandal, played a crucial part in rebuilding our readers’ trusts by acting as our in-house watchdog.
In the 1970s, he was an associate editor of Crawdaddy!, where he published his first works (outside school publications); [4] and in the 1980s, an associate editor at Rolling Stone and the music editor at The Village Voice. He started contributing to The Times in 1982. [3] He reviews popular music in the arts section of The Times. [4]