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The Feast in the House of Levi or Christ in the House of Levi is a 1573 oil painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring 555 cm × 1,309 cm (18.21 ft × 42.95 ft). [1] It is now in the Gallerie dell'Accademia, in Venice.
Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese (/ ˌ v ɛr ə ˈ n eɪ z eɪ,-z i / VERR-ə-NAY-zay, -zee, US also /-eɪ s i /-see; Italian: [ˈpaːolo veroˈneːze,-eːse]), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573).
Veronese was told that he must change his indecorous painting within a three-month period – in fact he just changed the title to The Feast in the House of Levi, still an episode from the Gospels, but a less doctrinally central one, and no more was said. [29] No doubt any Protestant authorities would have been equally disapproving.
In opposing that aspect of the painting's restoration, the APIAH said that Veronese, himself, had changed the tabard's colour to rouge marron instead of the green colour of the initial version of the painting. [17] In June 1992, three years into the restoration of the painting, The Wedding Feast at Cana twice suffered accidental damage. In the ...
The Feast in the House of Simon the Pharisee is an oil-on-canvas painting by Paolo Veronese, completed in 1570 for San Sebastiano, a Hieronymite monastery in Venice.He also produced a cycle of works for the monastery church (still in place), where he was later buried. [1]
Christ in the House of Martha and Mary (Velázquez) Christ in the House of Martha and Mary (Vermeer) Christ on the Mount of Olives (Caravaggio) Christ on the Mount of Olives (Paul Gauguin) Christ Pantocrator (Palladas) Christ Pantocrator (Sinai) Christ Taking Leave of his Mother (El Greco) Christ the Redeemer (icon) Christ the Redeemer (Mantegna)
Portrait of a Young Man Wearing Lynx Fur (1560) by Paolo Veronese. Portrait of a Young Man Wearing Lynx Fur, Gentleman with a Lynx Pelt or Portrait of a Man is a 1560 painting by Paolo Veronese, produced during his stay in Rome and showing similarities to his Baptism of Christ (Herzog Anton Ulrich Museum, Brunswick) and The Anointing of David (Kunsthistorisches Museum, Vienna). [1]
The Family of Darius Before Alexander was the only painting mentioned by Johann Wolfgang von Goethe in the account of his 1786 visit to Venice. [11] He admired the painting during his stay at the Palazzo Pisani Moretta, and repeated the legend that the picture was painted by Veronese in gratitude for the hospitality of the Pisani. [11]