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The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]
Christians from the very beginning adorned their catacombs with paintings of Christ, of the saints, of scenes from the Bible and allegorical groups. The catacombs are the cradle of all Christian art. [32] Early Christians accepted the art of their time and used it, as well as a poor and persecuted community could, to express their religious ...
The Yellow Christ (in French: Le Christ jaune) is a painting executed by Paul Gauguin in 1889 in Pont-Aven. Together with The Green Christ , it is considered to be one of the key works of Symbolism in symbolic mythological paintings of the older era as represented by Symbolism .
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The latter scene is reminiscent of the story of Jesus’ flight to Egypt as a child. [5] Another theme that has been reworked into the Yellow Crucifixion, which first appeared in the White Crucifixion, is the presence of a ship. The significant difference is that in this painting, the ship is shown sinking into the waters.
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The work is one of several on religious themes from the same period, making him (in Manuel Jover's words) the "original core of Symbolism in painting" – it also included The Yellow Christ and The Green Christ. [4] Initially in the collection of Gauguin's friend Daniel de Monfreid (1856–1929), it had entered Ambroise Vollard's gallery by 1902.