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This was also one of the first songs recorded by the band for which Robert Plant received writing credit. According to rock journalist Stephen Davis, the author of the Led Zeppelin biography Hammer of the Gods: The Led Zeppelin Saga, the lyrics for this song reflect a romance Plant had with his wife's younger sister. [5]
Hammer of the Gods is a book written by music journalist Stephen Davis, published in 1985.It is an unauthorized biography of the English rock band Led Zeppelin.Davis travelled with Led Zeppelin for two weeks at the beginning of the band's 1975 U.S. Tour, while he was a music journalist at Rolling Stone magazine.
"Immigrant Song" is a song by the English rock band Led Zeppelin. It is built upon a repeating riff and features lyrical references to Norse mythology, with singer Robert Plant's howling vocals mentioning war-making and Valhalla. [9] The song was included on their 1970 album, Led Zeppelin III and released as a single. Several live recordings ...
Sure, there’s “Hammer of the Gods” for that, but a film that looked back at the unhinged hedonism of that time could be revelatory. Yet “Becoming Led Zeppelin” is all about the music ...
Led Zeppelin were honoured by US President Barack Obama at the 2012 Kennedy Center Honors. Led Zeppelin have collected many honours and awards throughout the course of their career. They were inducted into the Rock and Roll Hall of Fame in 1995, [108] and the UK Music Hall of Fame in 2006. [224]
In the Led Zeppelin biography, Hammer of the Gods, the song is mentioned, somewhat tongue-in-cheek, as one of the best singles Zeppelin ever put out, presumably for its similarity to another Led Zeppelin song. Although it doesn't specify what song that is, [4] the song's tune is described as similar to "Nobody's Fault but Mine".
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...
1963 Gibson J-200, used to record acoustic parts for Led Zeppelin I. It was loaned to Page by its owner, Big Jim Sullivan, and returned to him after recording the album. Page would later own a re-issue built to the same specs as the 1963 model. 1972 Martin D-28, used to record acoustic songs after Led Zeppelin IV, used live at Earls Court in 1975