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Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. A full performance lasts around half an hour.
Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name; Merry Andrew, (1928) arrangement of a dance piece from Rosalie; Three-Note Waltz, (1931) Also known as Melody #36. Unpublished. Piano Transcriptions of Eight Songs (1932) George Gershwin’s Song-Book (1932), complex arrangements of 18 Gershwin songs
So skilled was Milne as a roll editor, the liner notes suggest that he may not have actually "played" "An American In Paris" at all—in the same way that a musician can write sheet music, Milne was able to prepare roll masters by marking the lines on special graph paper that would be used as a template for the holes punched in the actual piano ...
On February 11, 1937, he performed his Piano Concerto in F in a special concert of his music with the San Francisco Symphony Orchestra under the direction of French maestro Pierre Monteux. [37] Gershwin, normally a superb pianist in his own compositions, suffered coordination problems and blackouts during the performance.
Gershwin: Piano Concerto in F is an album by Marcus Roberts, his trio and the Saito Kinen Orchestra under the direction of Seiji Ozawa, recorded live at the Saito Kinen Festival in 2005. It features Roberts' arrangement of Gershwin's concerto. This was Roberts' second time working with Ozawa on a live recording, A Gershwin Night being the first ...
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.