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Kamancheh. The kamancheh (also kamānche or kamāncha) (Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.
A goblet drum with a body made of clay. It is similar to the tonbak and used in Afghanistan. The skin has a black spot called siyahi, made of tuning paste. Drum influenced by India with technique that draws on Persian Tonbak and Indian tabla and darbuka. Zu-jalal A kind of frame drum with bells. zorkhaneh beat ضرب زورخانه
Kamancheh has gone from having 2 strings to having 3, 4 or even 5. Prominent Azeri sazanda Sadigjan developed a new version of tar (nowadays known as the Azeri tar or the Caucasus tar) by adding one more string to this once 6-string instrument and improving it with a number of new features. [ 3 ]
Man turning tuning pegs to tune guitar Tuning of Sébastien Érard harp using Korg OT-120 Wide 8 Octave Orchestral Digital Tuner. Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz.
The bow is a separate tool and necessary for the use of the instrument. Its name comes from the arc created by its fibers. It is a long wooden instrument, about 50 to 60 cm long, that has two sides, the front side has a bundle of fibers that end at its ends. The fibers passing from one end end at the other where they are tied there with leather.
Tuning wrench sockets are often attached snugly to the handle with fine-gauge machine-screw threads, to provide a very firm, immobile joint; this is in contrast to the square snap-on joints found in sockets used for machinery. Unlike most socket wrenches, tuning wrenches usually have a comfortable wood or nylon handle.
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
The kamancheh player accompanies the kamancheh and tar player and serves to bring about the complex expression style of mugham. [1] In addition to that, while the tar imitates the khananda, the kamancheh's imitation of the tar creates a complex expression style called "two-fold imitation" in the language of musicology.