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The attribution of so many poems to Abū-Sa'īd was due to his great fondness for poetry. His love for poetry can be seen from the fact that he usually used love poetry written by non-Sufis in his daily prayers. Even his last words were a poem, and at his funeral instead of the recitation of Qur’anic verses, he requested the following poem.
"The Poet's Burial for Love" survives in 11 manuscripts, [5] a comparatively small number for a poem attributed to Dafydd ap Gwilym. [4] They are mostly rather late, dating from the 17th and 18th centuries, with the exception of National Library of Wales MS Brogyntyn 1, which can be dated to c. 1553.
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
The trick isn’t in finding ideas, it’s in recognizing ideas that are all around us. Here’s one way to go about it. Since 2009, I’ve posted a new word on my blog on the first day of each month.
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
Poems. By Thomas Carew, Esquire is a collection of lyrics, songs, pastorals, poetic dialogues, elegies, addresses, and occasional poems. Most of the pieces are fairly short—the longest, "A Rapture," is 166 lines, and well over half are under 50 lines. The subjects are various: a number of poems treat love, lovemaking, and feminine beauty.
Priscilla Presley John Amis/AP/Shutterstock Forever in their hearts. During Lisa Marie Presley’s Sunday, January 22, memorial service, mother Priscilla Presley remembered her legacy with a sweet ...
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.