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Free scores of Go Down Moses in the Choral Public Domain Library (ChoralWiki) {{ChoralWiki|Cancioneiro de Belém|prep=from the}} results in: Free scores from the Cancioneiro de Belém in the Choral Public Domain Library (ChoralWiki) The above is equivalent to (with a different wording):
Full free access Choral Public Domain Library: Sheet music archive of choral and vocal music in the public domain or otherwise freely available for printing and performing 36,869 [41] Yes International Music Score Library Project: Music scores and parts, mostly scanned from publications now in the public domain; some recordings. 42,000 (370,000 ...
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
Includes popular songs, operatic arias, piano music, sacred and secular choral music, solo instrumental music, method books and instructional materials, and music for band and orchestra. The Library of Congress: The Library of Congress: The Moldenhauer Archives: Western music: 130
Date choir disbanded; use {} if after 1583. genre: Music genre: members: Number of members in choir music director: Name of music director awards: Insert any other awards won. Use the same format as academyawards. label: Insert the record labels the choir was signed to. website: Insert the choir's official website.
T. Tehillim for Anne; Tenebrae Responsories (Victoria) The Testament of Freedom; Thou knowest, Lord, the secrets of our hearts (Purcell) Three Fantasies after Friedrich Hölderlin
The template is very general and therefore offers a great choice of parameters. For a given composition, use only those of relevance, look first if the subset covers them. Parameters can be entered in several ways, to make the template consistent with other usages, for example parameters can be entered capital or lowercase.
The book is large enough for the entire choir to read from one book. Choirbooks were generally put on a stand with the smaller boy sopranos in front and the men in back. As the printing of music became easier and paper replaced vellum, choirbooks fell out of favour, replaced by smaller, cheaper, and easier to handle partbooks and octavos.