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Free scores of Go Down Moses in the Choral Public Domain Library (ChoralWiki) {{ChoralWiki|Cancioneiro de Belém|prep=from the}} results in: Free scores from the Cancioneiro de Belém in the Choral Public Domain Library (ChoralWiki) The above is equivalent to (with a different wording):
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
Date choir disbanded; use {} if after 1583. genre: Music genre: members: Number of members in choir music director: Name of music director awards: Insert any other awards won. Use the same format as academyawards. label: Insert the record labels the choir was signed to. website: Insert the choir's official website.
Includes popular songs, operatic arias, piano music, sacred and secular choral music, solo instrumental music, method books and instructional materials, and music for band and orchestra. The Library of Congress: The Library of Congress: The Moldenhauer Archives: Western music: 130
T. Tehillim for Anne; Tenebrae Responsories (Victoria) The Testament of Freedom; Thou knowest, Lord, the secrets of our hearts (Purcell) Three Fantasies after Friedrich Hölderlin
The template is very general and therefore offers a great choice of parameters. For a given composition, use only those of relevance, look first if the subset covers them. Parameters can be entered in several ways, to make the template consistent with other usages, for example parameters can be entered capital or lowercase.
Hymn to St Cecilia, Op. 27 is a choral piece by Benjamin Britten (1913–1976), a setting of a poem by W. H. Auden written between 1940 and 1942. Auden's original title was "Three Songs for St. Cecilia's Day", and he later published the poem as "Anthem for St. Cecilia’s Day (for Benjamin Britten)".
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.