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Similar to the Techniscope cameras of the 1960s, UltraPan 8 achieves wider aspect ratios generally reserved for camera systems with anamorphic lenses through manipulating film negative exposure instead of light capture. The area of film exposed per frame is 10.52 mm × 3.75 mm, having an aspect ratio of 2.8:1.
Super 8mm film cameras do not need to use the Super 8mm film produced by Kodak, but other film stocks produced by companies such as Fujifilm and independents (in the form of re-packaged film) are compatible. The only difference to the films is the cartridge used to insert them into the camera. All lengths of film sold are of 50 ft (15 m) lengths.
In the US, Bell and Howell introduced an 8 mm projector in 1934, and in 1935, the Filmo Straight Eight camera, using pre-prepared 8 mm wide film. Standard 8 mm equipment was also manufactured by Carl Zeiss , Siemens & Halske Berlin, the Austrian firm Eumig , Fuji (as Fujica ), and Canon , amongst others.
Double Super 8 film (commonly abbreviated as DS8 or DS 8) is a 16 mm wide film but has Super 8 size sprockets. Double Super 8 for amateurs. In amateur DS8 cameras, the film is used in the same way as standard 8 mm film in that the film is run through the camera twice, exposing one side on each pass. During processing, the film is split down the ...
The system was late to market and had to compete with upcoming Betamax and VHS videocassette-based systems, which in the pre-camcorder era of the late 1970s had the disadvantages of much greater bulk and much higher initial hardware cost. However, a standard videocassette ran for at least an hour at the highest-quality speed, while a Polavision ...
Once the film was developed it was sliced down the middle and the ends attached, giving 50-foot (15 m) of Standard 8 film from a spool of 25-foot (7.6 m) of 16 mm film. 16 mm cameras, mechanically similar to the smaller format models, were also used in home movie making but were more usually the tools of semi professional film and news film makers.