Search results
Results From The WOW.Com Content Network
The text is metrically adapted to the then new British royal anthem and was initially sung with its tune. [5]Felice Giardini after Giovanni Battista Cipriani. Presently, "Come Thou Almighty King" is usually sung to the tune "Italian Hymn" (also called "Moscow" or "Trinity"), which was written as a musical setting for this hymn by Felice Giardini at the request of Countess Selina Shirley.
Coe Fen with Peterhouse in the background. View looking northwards on the River Cam with Sheep's Green on the left. The top of King's College Chapel can be seen in the background. Coe Fen is a semi-rural meadowland area to the east of the River Cam in the south of the city of Cambridge, England. [1]
Bach structured the cantata in seven movements and scored it for four vocal soloists (soprano, alto, tenor and bass), a four-part choir, and a Baroque instrumental ensemble of a horn (Co) to reinforce the chorale tune in the outer movements, flauto traverso (Ft), two oboes (Ob), two violins (Vl), viola (Va), violone (Vo) and basso continuo, including pipe organ.
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony , a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzig cantata cycle he developed a specific format: in this format the opening movement is a chorale fantasia on the first stanza of the hymn, with the hymn tune appearing as a cantus firmus.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826). Written during the author's time as vicar in Hodnet, Shropshire, England, the text was first published posthumously in 1826. It was set to the tune "Nicaea," by John Bacchus Dykes, in the influential Hymns Ancient and Modern.
This tune was also used as the principal choice for the Methodist Hymns and Psalms book of 1983. In 1930, Dr Thomas Percival (TP) Fielden, director of music at Charterhouse School, sent Bridges' text to a friend, composer Herbert Howells, requesting Howells compose a new setting of the hymn for use at the school. Howells received the request by ...