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The tres (Spanish for three) is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres.
The bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses.. It is played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick.
Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. [1] It requires the tremolo technique and is often performed by advanced players.
Nelson Gómez performing. The guitarrón is used in Mexican Mariachi groups, which usually consist of at least two violins, two trumpets, one Spanish guitar, a vihuela (a high-pitched, five-string guitar-type instrument), and the guitarrón.
After many years of constant rise in popularity, the Puerto Rican government approved a law in 2002 declaring that every year on November 17, the Commonwealth would celebrate "El día del Cuatro y del Cuatrista Puertorriqueño" [2] (Day of the Cuatro and Puerto Rican Cuatro Player). Only a year later, the Puerto Rican cuatro was one of three ...
La Folía (Spanish), or Follies (English), also known as folies d'Espagne (French), La Follia (Italian), and Folia (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, of a composition, on record.
Guerra composed the song "Ángel para una Tambora" in honor of Andújar and replaced the deceased musician with the percussionist Juan De la Cruz. After this, Guerra recorded the title track "Ojalá Que Llueva Café", which was the first single released in June 1989, and included the participation of the Dominican children's choir "Retoños ...
Sanz was born on 18 December 1968, the youngest son of María Pizarro and Jesús Sánchez. [3] He grew up in the neighborhood of Moratalaz in eastern Madrid. [6] Sanz recalled that "Back then, kids grew up on the street...I was a bit like the group troubadour; the one who played the guitar and sang.