Search results
Results From The WOW.Com Content Network
Animal figures had always been carved in the central valleys area of Oaxaca by the Zapotecs since the pre-Hispanic period. Totems of local animals were carved for luck or religious purposes as well as hunting decoys. Figures were also carved for children as toys, a tradition that continued well into the 20th century. [19]
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The Celts of the ancient world believed that many spirits and divine beings inhabited the world around them, and that humans could establish a rapport with these beings. [2]: 196 The archaeological and the literary record indicate that ritual practice in Celtic societies lacked a clear distinction between the sacred and profane; rituals, offerings, and correct behaviour maintained a balance ...
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
In ancient Egyptian art, the Set animal, or sha, [citation needed] is the affiliated animal of the god Set. Because Set was identified with the Greek monster Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast. Unlike other totemic animals, the Set animal is not easily identifiable in the modern animal world.
social (totems regulate marriage, and often a person cannot eat the flesh of their totem), cult (totems associated with a secret organization), conception (multiple meanings), dream (the person appears as this totem in others' dreams), classificatory (the totem sorts people) and; assistant (the totem assists a healer or clever person).
It is frequently depicted in the art, songs, and oral histories of many Pacific Northwest Coast cultures, [citation needed] but is also found in various forms among some peoples of the American Southwest, [citation needed] US East Coast, [citation needed] Great Lakes, [1] and Great Plains.