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The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
When jazz guitar players improvise, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz guitar. During the Swing era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes.
The following is a list of notable jazz guitar players, including guitarists from related jazz genres such as Western swing, Latin jazz, and jazz fusion. For an article giving a short history, see jazz guitarists .
D'Aquisto flat top guitars are a group of sixteen guitars [10] made by D'Aquisto. He made sixteen flat top guitars from 1973 to 1984. [10] He made two types, a grand auditorium and a dreadnought. [11] He believed the large oval sound hole produced greater projection than the typical round sound hole. [12] He numbered his guitars from 101 to 116 ...
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.
Buddy Bolden, one of the earliest jazz musicians, played in a band in 1889 that was led by guitarist Charlie Galloway. King Oliver, another important early figure, belonged to a band in 1910 that was led by guitarist Louis Keppard, brother of Freddie Keppard. [3] Although jazz guitar existed during these years, banjo was a more popular instrument.
The Fender Jazzmaster is an electric guitar designed as a more expensive sibling of the Fender Stratocaster.First introduced at the 1958 NAMM Convention, it was initially marketed to jazz guitarists, but found favor among surf rock guitarists in the early 1960s.
Unlike the usual acoustic guitars in jazz bands of the period, it was loud enough to take a more prominent position in ensembles. Upon its debut it immediately became popular with such notable guitar players as Charlie Christian, spreading its renown. Gibson produced the guitar with minor variations until 1940, when the ES-150 designation (the ...