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Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine Billboard number-one singles chart (which preceded the Billboard Hot 100 chart), which was updated weekly by the Billboard magazine, was the ...
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, that eventually influenced the birth of cool jazz, which favoured long, linear melodic lines in the 1950s. By the 1940s, Dixieland jazz revival musicians like Jimmy McPartland, Eddie Condon and Bud Freeman had become well ...
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US BB 1940 #12, US #2 for 6 weeks, 17 total weeks 13: Glenn Miller and His Orchestra (Vocal Ray Eberle) "Blueberry Hill" [15] Bluebird 10768: June 13, 1940 () July 1940 () US BB 1940 #13, US #2 for 4 weeks, 19 total weeks 14: Will Bradley and His Orchestra: Beat Me Daddy, Eight to the Bar: Columbia 35530: May 21, 1940 ()
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Billboard number-one singles charts preceding the Billboard Hot 100 were updated weekly by Billboard magazine and the leading indicator of popular music for the American music industry since 1940 and until the Billboard Hot 100 chart was established in 1958.
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Mid-1940s music trends The Roberta Martin Singers adds two female performers, making it the "first combination of male and female voices in one ensemble". The Singers were performing and recording in New York, working with independent labels that focused on jazz and rhythm and blues. [454] The end of the creative peak of jazz in Manhattan. [21]