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The rare plagal half cadence involves a I–IV progression. Like an authentic cadence (V–I), the plagal half cadence involves an ascending fourth (or, by inversion, a descending fifth). [17] The plagal half cadence is a weak cadence, ordinarily at the ending of an antecedent phrase, after which a consequent phrase commences.
The final "Amen" is sung over an E-flat pedal point in the organ, and the work concludes on a plagal cadence. [12] Swafford suggested the music's organ opening references a fantasy of Clara Schumann's (Brahms's close companion and love interest [13]). That fantasy was for Clara to study the organ in secret, only for her husband Robert to ...
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The New Testament mentions singing hymns during the Last Supper: "When they had sung the hymn, they went out to the Mount of Olives" (Matthew 26.30). Other ancient witnesses such as Pope Clement I , Tertullian , St. Athanasius , and Egeria confirm the practice, [ 6 ] although in poetic or obscure ways that shed little light on how music sounded ...
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
In Ecclesiis is one of Giovanni Gabrieli's most famous single works. An example of polychoral techniques, it also epitomizes Baroque and Renaissance styles, with its use of hexachord-based harmonies, chromatic mediants, movement by fifths, pedal points and extended plagal cadences.
In this ordering, the progression ends with a double plagal cadence in the key of the dominant (in the Mixolydian mode) and could also be respelled ii–bVII–IV–I, opening with a backdoor turnaround. The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6]
Plagal cadence (in music) Plagal mode (in music) Pro-Life Alliance of Gays and Lesbians (PLAGAL) This page was last edited on 21 June 2023, at 08:42 (UTC). Text is ...