Search results
Results From The WOW.Com Content Network
Salsa Dura is an album by the American trombonist Jimmy Bosch, released in 1999. [2] [3] The title translates to "hard salsa", Bosch's descriptor for his music, and the style of salsa that was less popular than the salsa romántica of the 1990s. [4] [5] Bosch also named his band Salsa Dura. [6]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Salsa dura, also known as salsa brava or salsa gorda, [1] is a style of salsa music developed in the 1970s with an emphasis on the instrumental part of the music (piano, bass, horns, percussion, etc.) over the lead vocals. The genre originated in New York City where large ensembles such as Fania All-Stars adapted the salsa genre to a descarga ...
La Excelencia is an eleven piece salsa dura band from New York City founded in 2005 by percussionists Julian Silva and Jose Vazquez-Cofresi. [1] [2] The band's music has a salsa dura style, with themes incorporating immigration, poverty, and discrimination. [3] La Excelencia recorded and released three albums in their first seven years.
Download QR code; Print/export Download as PDF; ... Pages in category "2024 greatest hits albums" The following 10 pages are in this category, out of 10 total.
"The Essential") is the fourth greatest hits album by the American salsa band Dark Latin Groove. It was released on December 7, 2004 through Legacy Recordings , Sony BMG and Sony Music Latin . Part of the Lo Esencial compilation album series, it contains songs from his first studio album Dark Latin Groove released in 1996 by Sony Discos to his ...
Siembra is the second of four collaborative duo albums produced by Rubén Blades and Willie Colón. During its time, it was the best-selling salsa record in history. [4] [5] It has sold over three million copies worldwide, [6] and almost all of its songs were hits at one time or another in various Latin American countries.
In 1968, Jerry Masucci and Johnny Pacheco, the owners of New York's leading salsa label, Fania Records, decided to start another project in the vein of the Alegre All-Stars but with a different approach: the music would now revolve around large-ensemble salsa played live instead of the 1950s Panart studio descarga style.