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Japanoise (ジャパノイズ, Japanoizu), a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. [1] [2]Nick Cain of The Wire identifies the "primacy of Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants as one of the major developments in noise music since 1990.
This is an alphabetical list of Japanese noise, or "Japanoise" (ジャパノイズ) bands and solo projects that have articles on Wikipedia. Project Name Project Name In Japanese
The Japanese / American Noise Treaty: Release: 1995 "Live at Fandango, Osaka "Alchemy Records 10th Anniversary" 3rd Sept. 1994" Good Alchemy Video: Alchemy 1997 "Shabai Hanjo" Screw: Entartete Kunst 2000 "Live at 20000V, 2000/6/11 (excerpt)" Aiyoku Jinmin 21 Seiki (愛欲人民二十一世紀) Alchemy 2003 "No Canada" No Tribute – Music of ...
Boredoms (ボアダムス) (later known as V∞redoms) is a rock band from Osaka, Japan formed in 1986. The band's sound is often referred to as noise rock, or sometimes Japanoise (Japan’s noise music scene), though their more recent records have moved toward repetitive psychedelic rock, ambient soundscapes, and tribal drumming.
Music portal; Japan portal; 1980s portal; Topics specifically related to the decade 1980s in the music of Japan, i.e. in the years 1980 to 1989. 1930s; 1940s; 1950s ...
Merzbow (Japanese: メルツバウ, Hepburn: Merutsubau) is a Japanese noise project started in 1979 by Masami Akita, [1] [2] best known for a style of harsh noise music. Since 1980, Akita has released over 500 recordings and collaborated with numerous artists.
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [7] of pop music [1] or a general aesthetic [8] that flourished in Japan in the mid-to-late 1990s. [3] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. [9]
Group Ongaku is regarded as the first improvisational music and sound collective in Japan. Group Ongaku's aim was to re-evaluate improvisational elements in music, which had been lost in Western music since the Baroque era; its members sought to rediscover the meaning of music, which they thought had been minimized. [6]