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  2. Sprained Ankle (album) - Wikipedia

    en.wikipedia.org/wiki/Sprained_Ankle_(album)

    Sprained Ankle is the debut studio album by American singer-songwriter Julien Baker. Originally self-released on Bandcamp as an EP, the album was re-released in October 2015 on 6131 Records. The album received critical acclaim and was placed on several lists of the best albums of 2015 and the 2010s as a whole.

  3. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.

  4. Key signature names and translations - Wikipedia

    en.wikipedia.org/wiki/Key_signature_names_and...

    When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...

  5. In the Key of G - Wikipedia

    en.wikipedia.org/wiki/In_the_Key_of_G

    In the Key of G is the ninth studio album by British-Irish singer-songwriter Gilbert O'Sullivan, released on January 1, 1989. [1] Union Square Music re-released it on April 8, 2013 [ 2 ] on the Salvo label as part of the Gilbert O'Sullivan - A Singer and His Songs collection.

  6. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    The accompaniment performers translate the Roman numerals to the specific chords that would be used in a given key. In the key of E major, the diatonic chords are: E maj7 becomes I maj7 (also I ∆7, or simply I) F ♯ m 7 becomes II m7 (also II −7, II min7, IIm, or II −) G ♯ m 7 becomes III m7 (also III −7, III min7, IIIm, or III −)

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).

  8. Jazz chord - Wikipedia

    en.wikipedia.org/wiki/Jazz_chord

    In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G 7.

  9. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...