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Some Spanish nouns can take a large number of affective suffixes, creating words with subtle differences in meaning or connotation. For instance, chico 'boy' has the derived forms chicarrón, chicazo, chicoco, chicote, chicuelo, chiquete, chiquilín, chiquillo, chiquitico, chiquito, chiquitín and chiquituco, each with a subtle distinction in ...
In linguistics, affect is an attitude or emotion that a speaker brings to an utterance. Affects such as sarcasm, contempt, dismissal, distaste, disgust, disbelief, exasperation, boredom, anger, joy, respect or disrespect, sympathy, pity, gratitude, wonder, admiration, humility, and awe are frequently conveyed through paralinguistic mechanisms such as intonation, facial expression, and gesture ...
The verbs haber and tener are easily distinguished, but they may pose a problem for learners of Spanish who speak other Romance languages (where the cognates of haber and tener are used differently), for English speakers (where "have" is used as a verb and as an auxiliary), and others.
NEG se CL puede can. 1SG pisar walk el the césped grass No se puede pisar el césped NEG CL can.1SG walk the grass "You cannot walk on the grass." Zagona also notes that, generally, oblique phrases do not allow for a double clitic, yet some verbs of motion are formed with double clitics: María María se CL fue went.away- 3SG María se fue María CL went.away-3SG "Maria went away ...
A verb in this mood is always distinguishable from its indicative counterpart by their different conjugation. The Spanish subjunctive mood descended from Latin, but is morphologically far simpler, having lost many of Latin's forms. Some of the subjunctive forms do not exist in Latin, such as the future, whose usage in modern-day Spanish ...
For other irregular verbs and their common patterns, see the article on Spanish irregular verbs. The tables include only the "simple" tenses (that is, those formed with a single word), and not the "compound" tenses (those formed with an auxiliary verb plus a non-finite form of the main verb), such as the progressive, perfect, and passive voice.