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The Bad News Bears is a 1976 American sports comedy film directed by Michael Ritchie and written by Bill Lancaster.It stars Walter Matthau as an alcoholic ex-baseball pitcher who becomes a coach for a youth baseball team known as the Bears.
The Bad News Bears is an American sitcom that aired on CBS from March 24, 1979, until July 26, 1980, consisting of 26 episodes (three unaired by CBS). It was based on the 1976 film of the same name , that was followed by two sequels in 1977 and 1978.
The Bad News Bears franchise consists of American sports-comedies, based on an original story by Bill Lancaster. The franchise includes theatrical films (the original release, its two sequels, and the 2005 remake ), and a television series which aired from 1979-1980.
Barnes began his professional film career at the age of 10. He is perhaps best known for his role as the short-tempered shortstop Tanner Boyle in the 1976 feature film The Bad News Bears and its sequel The Bad News Bears in Breaking Training, [1] [2] as well as for appearing in several After School Specials during the late 1970s and early 1980s.
Bad News Bears is a 2005 American sports comedy film co-produced and directed by Richard Linklater, written by Glenn Ficarra and John Requa and starring Billy Bob Thornton, Greg Kinnear, Marcia Gay Harden and Sammi Kane Kraft. It is a remake of the 1976 sports film The Bad News Bears, produced by Paramount Pictures. Unlike the original film, it ...
William Henry Lancaster (November 17, 1947 [2] – January 4, 1997) was an American screenwriter and actor. The son of screen legend Burt Lancaster, he was perhaps best known for his screenplays for The Bad News Bears and The Thing.
Consider it a crisis for the Chicago Bears. A 41-10 beatdown by Patrick Mahomes and the Kansas City Chiefs was the final blow during a brutal week for a franchise reeling with 13 consecutive losses.
Arthur D. Murphy of Variety called it "a pale but adequately summer-commercial sequel to the extremely successful 'Bad News Bears' Paramount hit of last year. Leonard Goldberg's production has a made-for-tv look (it even seems already pre-cut for the tube), a fair Paul Brickman script and passable direction by Michael Pressman". [ 5 ]