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The support for an oil painting can be either rigid or flexible, both providing certain opportunities and challenges for the artist. In order to get both the stability and the desired texture, painters for finished paintings usually use canvas that are pre-stretched on a solid frame or panel [3] (so-called stretchers usually made of stretcher ...
The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues , resin , and gesso ), and an image layer ( encaustic , tempera , oil ). [ 1 ]
If the frame was created, designed, or selected by the artist; If the frame was selected by the first owner or dealer; If the frame is a stylistically appropriate and of the same age as the painting; If the frame is a "livery" or "gallery" frame; If the frame is a replica; An authentic frame conveys the spirit of the time in which it was made.
Modern changes to interventive policies in the 1970's and onwards have spurred conservation specialists to maintain works of art and their original materials when possible. [8] In his work detailing the changes in lining techniques, Paul Ackroyd notes that "lining is no longer considered as an inevitable occurrence and is a less favored option ...
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Robert Moore Kulicke (1924 – December 14, 2007) was an American artist, frame maker, and teacher.Though most influential for modernizing the design of picture frames, he was also a noted painter of small and delicate still lifes, as well as a jewellery maker credited with reviving the ancient goldsmithing technique of granulation.
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