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The designers coined the term sampling to describe one of its features. The Guardian described the Chamberlin as the first sampler, developed by the English engineer Harry Chamberlin in the 1940s. The Chamberlin used a keyboard to trigger a series of tape decks, each containing eight seconds of sound.
Chamberlin logo. The Chamberlin is an electro-mechanical keyboard instrument that was a precursor to the Mellotron. It was developed and patented by the American inventor Harry Chamberlin from 1949 to 1956, when the first model was introduced. [1] There are several models and versions of the Chamberlin.
The first commercially available sampling synthesizer was the Computer Music Melodian by Harry Mendell (1976), while the first polyphonic digital sampling synthesizer was the Australian-produced Fairlight CMI, first available in 1979. These early sampling synthesizers used wavetable sample-based synthesis. [8]
Harry Dwight Chamberlin (May 19, 1887 – September 29, 1944) was a career officer in the United States Army.A veteran of the Moro Rebellion, Pancho Villa Expedition, World War I, and World War II, he attained the rank of brigadier general, and was most notable for his command of several Cavalry units, including 1st Squadron, 8th Cavalry Regiment, 1st Squadron, 14th Cavalry Regiment, 2nd ...
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963.It is played by pressing its keys, each of which causes a length of magnetic tape to contact a capstan, which pulls it across a playback head.
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Guy Chamberlin (1894–1967), American football player; Harry Chamberlin (1887–1944), Olympic equestrian and US Army brigadier general; Harry Chamberlin, inventor of the Chamberlin musical keyboard instrument; Henry Chamberlin (died 1888), member of the New Zealand Legislative Council; Jan Rooney née Chamberlin, singer and widow of Mickey Rooney
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...