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Pages in category "Oboe manufacturing companies" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. B.
Buescher became the main supplier of student-grade saxophones to the H&A Selmer Company, producing the vast majority of such instruments marketed under Selmer's "Bundy" brand. The Elkhart line was continued until 1959, followed by Buescher's downgraded Aristocrat line as their offering in the student market.
The company was founded in 1923 by Andrew Hubble Beardsley (b. Dayton Ohio 25 September 1864; d. New York NY 10 October 1936), who was the president of Buescher Band Instrument Company, and Carl Dimond Greenleaf (b.
The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and popular music. The oboe is widely recognized as the instrument that tunes the orchestra with its distinctive 'A'. [3] A musician who plays the oboe is called an oboist.
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
A. Laubin, Inc. is an American maker of oboes and English horns, formerly located in Peekskill, New York. The first Laubin oboe was made in 1931 by Alfred Laubin, a performing musician who was dissatisfied with the quality of instruments available at the time. The creation of oboes began as a home project, but soon Mr. Laubin was able to make ...
Guntram Wolf also developed a redesign of the contrabassoon after an acoustical concept by Benedikt Eppelsheim, called the "Contraforte".The Contraforte was received well in many countries but has a very small following in the United States, with less than a half dozen players of the instrument.