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Savitar (also portrayed by Grant Gustin: seasons 3 and 5; performed by Andre Tricoteux; recurring: season 3; archive footage: season 5; guest: season 9; and voiced by Tobin Bell in exosuit; recurring: season 3; archive footage: season 5; guest: season 9) is a temporal duplicate of Barry from a possible future who travels back in time and becomes embedded in a bootstrap paradox.
The first season follows Barry Allen, a crime-scene investigator who gains superhuman speed from the explosion of the S.T.A.R. Labs' particle accelerator and becomes the costumed superhero the Flash.
Rick Famuyiwa was hired to take over as director in June 2016, with Warner Bros. feeling that Famuyiwa's vision for the film would resonate with younger audiences, and also be compatible with Grahame-Smith's existing script. [80]
One week after Eobard Thawne's defeat, Barry Allen creates a "map book" noting future events, including his promotion to director of the Central City Police Department (CCPD) CSI Division from Kristen Kramer, Cat Grant offering to buy Central City Citizen Media from Iris West-Allen, and his fight against Owen Mercer / Captain Boomerang.
Barry learns of multiple changes to the timeline: Iris has not forgiven Joe for concealing that her mother was alive, Cisco is angry with him for not altering the timeline to save his dead brother Dante, and he has a new CSI partner, Julian Albert, who does not like him.
Having cryogenically frozen himself to preserve his 1% Speed Force energy, Barry Allen awakens when Eva McCulloch is spotted destroying Black Hole's remnants. He tries to convince her to stop and release his wife, Iris West-Allen, from the Mirrorverse, but to no avail, as Eva ends her latest attack by destroying Sam Scudder, her first mirror duplicate, in front of Rosalind Dillon.
In the kingdom of Equestria, its three species of ponies—earth ponies, pegasi, and unicorns—live harmoniously. Twilight Sparkle, a studious unicorn (later an alicorn), travels to Ponyville to learn about friendship at the urging of Equestria's ruler (and her mentor) Princess Celestia.
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics ...