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Call it soukous, rumba, Zairois, Congo music, or kwassa-kwassa, the pop sound emanating from Congo's capital, Kinshasa has shaped modern African culture more profoundly than any other. Africa produces music genres that are direct derivatives of Congolese Soukous. Some of the African bands sing in Lingala, the main language in the DRC.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
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Congolese saxophonist Sam Talanis. The Republic of the Congo is an African nation with close musical ties to its neighbor, the Democratic Republic of the Congo.The Democratic Republic of the Congo's homegrown pop music, soukous, is popular across the border, and musicians from both countries have fluidly travelled throughout the region playing similarly styled music, including Nino Malapet and ...
Empire Bakuba is an influential soukous band that formed in Zaire (now Democratic Republic of the Congo) in 1972.The name of the band refers to the Bakuba Kingdom; it is sometimes reported as Empire Bakuba du Grand Kalle, in honor of Grand Kalle, the "father of Congolese music", who was also bandleader Pepe Kalle's mentor.
Music of the Democratic Republic of the Congo (Zaire, Congo-Kinshasa) In addition, the term Congo music can refer to at least two styles In English-speaking West African countries (e.g. Nigeria, Ghana, Liberia), Congo music refers to the genre more commonly known as soukous, which is widely performed in both Congos, though is more closely ...
Michel Boyibanda (22 February 1940 – 9 October 2024) was a Congolese soukous recording artist, composer, and vocalist. He was once a member of the Congolese Rumba band TPOK Jazz, led by François Luambo Makiadi, which dominated the Congolese music scene from the 1950s through the 1980s.
[33] [31] [34] As a result, the globalization of Congolese urban music expanded, leading to a massive exodus of musicians to African and European countries, most notably Belgium and France. [33] [35] Many youths with limited employment options gravitated towards a music career, with Kinshasa's soukous scene becoming an attractive choice ...