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Songs incorporating a mixture of love and romance, politics and reggae-inspired sounds have become an accepted trend in music. [8] Steve McQueen 's Lovers Rock film (with Dennis Bovell in a minor role), released in December 2020, chronicled a night at a 1980 blues party in West London in which lovers rock music played a central part in both the ...
Hebdige, Dick (1987) Cut 'n' Mix: Culture, Identity and Caribbean Music, Routledge, ISBN 978-0415058759 Larkin, Colin (1998) The Virgin Encyclopedia of Reggae , Virgin Books, ISBN 0-7535-0242-9 v
Ron Wynn from AllMusic said the song "is more pop/R&B with a reggae touch than it is real reggae." [1] A reviewer from Music & Media commented, "After a tougher than normal start, this song quickly becomes another Maxi Priest single like all the others. Nice melody and well sung." [2] David Giles from Music Week wrote, "A discernible step in ...
The Very Best of UB40 1980–2000 is a greatest hits album of the British dub/reggae band UB40. There is another, later release with the similar title The Best Of UB40 Volume I & II , with different contents.
In Chile, which was ruled by a military dictatorship all over the 80s, Nueva canción protest songs from the 60s and 70s maintained their popularity despite severe censorship. The progressive/folk-rock band Los Jaivas made a Latin American trademark album with Alturas de Macchu Picchu [sic] based on Pablo Neruda 's homonymous poem.
Brown Sugar's first release in 1977 (and the first on the Lover's Rock label) was "I'm in Love with a Dreadlocks", written by guitarist John Kpiaye. [2] The song married a rootsy theme with the sentiments of a love song. It was a hit with sound system owners and reggae lovers, and went on to reach the top spot in the British reggae charts. [1]
"You Don't Love Me (No, No, No)" is a song by Jamaican recording artist Dawn Penn, released in February 1994 by Big Beat as the first single from her first studio album, No, No, No (1994). The song's lyrics are credited to Penn, Bo Diddley and Willie Cobbs, and production was handled by Steely & Clevie.
She concentrated on lovers rock and recorded a popular version of the Alton Ellis song "I'm Still in Love With You" (as "I'm Still in Love with You Boy", recorded while still at Excelsior), [3] which was a number one hit in Jamaica and successful UK and US reggae charts, [3] and also formed the basis of Trinity's "Three Piece Suit" and Althea ...