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Fr. Vasco do Rego SJ wrote lyrics for over 300 Konkani hymns, and composed music for over 50 Konkani hymns. He commenced the compilation of the Gaionancho Jhelo. [4] He also wrote the first Konkani carols. [5] Fr. Lourdino Barreto was an expert in both, Western and Indian music. He was the president of Goa's Diocesan Commission for Sacred Music ...
Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...
Gaionancho Jhelo (Konkani: Garland of hymns) is the official hymnal of the Archdiocese of Goa and Daman. It was first published a few years after liturgy in vernacular languages was introduced in the Second Vatican Council. The latest edition was brought out in 1993.
Goa has a rich heritage of Konkani liturgical music and hymns. The standard hymnal of the Archdiocese of Goa and Daman is called Gaionancho Jhelo (Garland of hymns) and the diocese also brings out a periodical sheet music publication of Konkani liturgical hymns a called Devacheam Bhurgeanchim Gitam (Songs of God's children). As with the liturgy ...
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Writing in the Herald newspaper, journalist Melvyn Misquita says it was a "humiliating experience" that led Rego to compose "Goa's first Konkani Carol in 1963 and hundreds of original Konkani hymns, including a lengthy 18-verse hymn on St Francis Xavier". [3] Fr. Rego contributed many hymns in the Gaionancho Jhelo.
Vouchsafe that I may praise thee, O sacred Virgin. ℟. Give me strength against thine enemies. Let us pray We beseech thee, O Lord, mercifully to assist our infirmity: that like as we do now commemorate Blessed Mary Ever-Virgin, Mother of God; so by the help of her intercession we may die to our former sins and rise again to newness of life.
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...