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Sliding partitions (hiki-do, 引戸, literally "sliding door") did not come into use until the tail end of the Heian, and the beginning of the Kamakura period. [99] Early sliding doors were heavy; some were made of solid wood. [100] Initially used in expensive mansions, they eventually came to be used in more ordinary houses as well. [99]
In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
Solid wooden sliding doors Sugi-do made of sugi, and flat. Much heavier than frame doors such as fusuma. Kōshi (see Shōji#Frame) more images: Barred or latticed openwork panels May be fixed, sliding, or hinged. Modernly, may be backed with glass. The rails are often grouped in clusters; this clustering is called fukiyose (吹寄). [21]
Japanese architecture (日本建築, Nihon kenchiku) has been typified by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors and other traditional partitions were used in place of walls, allowing the internal configuration of a space to be customized for different occasions. People usually sat on ...
The main reception room is characterized by specific features: a recessed alcove , staggered shelves, built-in desks, and ornate sliding doors. [5] [7] Generally the reception room is covered with wall-to-wall tatami and has square beveled pillars, a coved or coffered ceiling, and wooden shutters to protect the area from rain (雨戸, amado).
Paintings on walls and sliding doors of the Great drawing room (大書院, daishoin) of Chishaku-in. (a) four paintings on alcove and two paintings on wall, (b) nine paintings on wall and two paintings on fusuma, (c) four paintings on fusuma, (d) four paintings on alcove. Momoyama period