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Raga Bihag is a Hindustani classical raga (also spelled raag) belonging to the Bilawal thaat.Bihag uses all seven music swars, and both Madhyams (Shuddha and tivra) are used.. The Shuddha Madhyam is more prominent; tivra Madhyama is only used with Panchama in the phrase PA MA' GA MA
Hindi A. R. Rahman: Sonu Nigam: 2015 Agar Tum Saath Ho Tamasha: Hindi A.R. Rahman Alka Yagnik, Arijit Singh: 1952 Door Koi Gaaye Baiju Bawra: Hindi Naushad: Shamshad Begum, Mohammed Rafi, & Lata Mangeshkar 1963 Hum Tere Pyar Mein Sara Dil Ek Mandir: Hindi Shankar–Jaikishan: Lata Mangeshkar 1994 Pyar Hua Chupke Se 1942: A Love Story: Hindi R ...
Kafi is a sampoorna-sampoorna or heptatonic raga, with komal (half a note down) Gandhar (ga) and Nishad (ni). This is also referred to as the Bhairavi of night. Both Shuddha Nishad & Gandhar are occasionally used.
Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode , one of the traditional European church modes .
These ragas have all seven swaras (notes) in their scales (only one of each swara, Sa, Re, Ga, Ma, Pa, Dha, Ni), following strict ascending and descending scales and are sung in all octaves. Example of melakartha ragas are: Shankarabharanam, Kalyani, Natabhairavi, Chala Nattai, Harikambhoji, Kharaharapriya, Mayamalavagowla, and Chakravakam.
Sa-Re-Ga-Ma-Pa is a 1972 Hindi-language drama film directed by Satyen Bose and is written by Govind Moonis. [1] The film stars Ashok Kumar , Praveen Paul, Vishal Anand and Alka in lead roles. The music was directed by Ganesh, brother of Pyarelal (of Laxmikant-Pyarelal).
Re, Ga, Dha and Ni all have altered partners that are a half-step lower (Komal-"flat") (thus, komal Re is a half-step higher than Sa). Ma has an altered partner that is a half-step higher (teevra-"sharp") (thus, tivra Ma is an augmented fourth above Sa). Re, Ga, ma, Dha and Ni are called vikrut swar ('movable notes'). In the written system of ...
Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]