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There are many types of and methods used in making Aboriginal art, including rock painting, dot painting, rock engravings, bark painting, carvings, sculptures, weaving, and string art. Australian Aboriginal art is the oldest unbroken tradition of art in the world. [1] [2] [3]
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as dot painting.
Wenten Rubuntja AM (c.1926 – July 2005) was an Aboriginal Australian artist. His early watercolour paintings are typical of the Hermannsburg School of art, while his later work includes dot painting. He was also an Aboriginal rights activist who worked on the Central Land Council in the Northern Territory for several years.
The boom and bust cycle in contemporary art is evident in the 1980s colonial art boom ending at the time of the 1987 stock market crash and the exit of many artists and dealers, followed by the 2000s boom in Aboriginal dot painting and Australian late modernist painting, which ended at the time of the global financial crisis and growing ...
Circles in Australian Aboriginal art are often interpreted as being representative of water sources, while radiating lines indicate the path of an ancestral being. [1]A common interpretation is that motifs such as Panaramitee ones provide shared knowledge to travellers moving through the landscape; plotting important routes to resources.
The paintings were considered very beautiful and were "built up through mesmeric grids of vibrating dots and splayed lines, where intense color contrasts are studded and overlaid with iconic figurative elements: bush tucker of all sorts, tools for food gathering, and the ever present Mardoowarra".
[7] [8] [9] Traditional cultural beliefs are passed down and shared by dancing, stories, songlines and art—especially Papunya Tula (dot painting)—collectively telling the story of creation known as The Dreamtime.
Trevor Nickolls was born in 1949 in Port Adelaide, a suburb of Adelaide in the state of South Australia, Australia.He studied Western art theory and did not encountered traditional Aboriginal art in a meaningful way until his post-graduate degree at the Victorian College of the Arts in the late 1970s.