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Gittes monologer (Gitte's Monologues) is a collection of poems by the Danish poet Per Højholt. Originally published in 1984, these satirical and political poems are construed as Gitte's monologues, addressed to her friend Susanne.
Hitler delivered most of the "Table Talk" monologues at the Wolfsschanze (above) [1] and at Werwolf. [2]"Hitler's Table Talk" (German: Tischgespräche im Führerhauptquartier; literally "Table Talks at the Führer's Headquarters") is the title given to a series of World War II monologues delivered by Adolf Hitler, which were transcribed from 1941 to 1944.
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
A Singular Kinda Guy: A monologue about a man who believes he is actually a typewriter. Speed-the-Play: A parody of the works of American playwright David Mamet; his major works are each lampooned. Ancient History: A couple discusses tradition and relationships before and after they hold a party; one of the few dramatic works in All in the Timing.
Talking Heads is a 1988 TV series of dramatic monologues written for BBC television by British playwright Alan Bennett.The first series was broadcast on BBC1 in 1988, and adapted for radio on BBC Radio 4 in 1991.
Time-compressed speech refers to an audio recording of verbal text in which the text is presented in a much shorter time interval than it would through normally-paced real time speech. [1] The basic purpose is to make recorded speech contain more words in a given time, yet still be understandable.
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, [1] everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where ...