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Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably [1]) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song.
Having grown out of the religiously based mystery plays of the Middle Ages, they represented a shift towards a more secular base for European theatre. The Somonyng of Everyman (The Summoning of Everyman), usually referred to simply as Everyman, is a late 15th-century English morality play.
A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays , the Chester Mystery Plays , the Wakefield Mystery Plays , and the N-Town ...
The plays were organised, financed and performed by the York Craft Guilds ("Mystery" is a play on words, representing a religious truth or rite, and its Middle English meaning of a trade or craft). The wagons were paraded through the streets of York, stopping at 12 playing stations, designated by the city banners.
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
The play was written in Middle English during the Tudor period, but the identity of the author is unknown. Although the play was apparently produced with some frequency in the seventy-five years following its composition, no production records survive. [1] There is a similar Dutch-language morality play of the same period called Elckerlijc.
By 1394, biblical plays were being performed in York, England. The usage of pageant wagons enabled performances to travel across the country to various communities throughout England. The plays attracted people to the towns, and communities benefited from the commercial trade. [2] The Mystery plays were banned nationally in the 16th century.
The Digby Conversion of Saint Paul (or The Conuersyon of Seynt Paule) is a Middle English miracle play of the late fifteenth century. Written in rhyme royal, it is about the conversion of Paul the Apostle. [1] It is part of a collection of mystery plays that was bequeathed to the Bodleian Library by Sir Kenelm Digby in 1634.