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Cubism formed an important link between early-20th-century art and architecture. [67] The historical, theoretical, and socio-political relationships between avant-garde practices in painting, sculpture and architecture had early ramifications in France, Germany, the Netherlands and Czechoslovakia .
[3] [4] Yet Head of a Woman, writes Curtis, "had mainly revealed how Cubism was more interesting in Painting—where it showed in two dimensions how to represent three dimensions—than in sculpture". [1] Picasso's Head of a Woman was less adventurous than his painting of 1909 and subsequent years. [5]
While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period.
Metzinger's 1909–10 Portrait de Guillaume Apollinaire, is as important a work in the history of Cubism as it was in Apollinaire's own life. In his Anecdotiques of 16 October 1911, the poet proudly states: "I am honored to be the first model of a Cubist painter, Jean Metzinger, for a portrait exhibited in 1910 at the Salon des Indépendants."
Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. [2] He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. . However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 1
Giacometti was one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism. Philosophical questions about the human condition, as well as existential and phenomenological debates played a significant role in his work. [5]
Crystal Cubism (French: Cubisme cristal or Cubisme de cristal) is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes. The primacy of the underlying geometric structure, rooted in the abstract, controls practically all of the ...
Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and ...